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Original Paintings
I use the finest Artists' watercolor paints available.
They are rated for top permanency and contain the highest percentage of
pigment found among the many brands of the media.
Either Arches or Fabriano 140 lb. 100% cotton rag acid
free watercolor paper is used.
The
Original
Paintings are matted in a 4 ply 100% acid free/pH neutral museum quality
mat in white or off white, unless otherwise specified. The mat is hinged with with a 2 ply acid
fee/ph neutral backing board.
You have the option to select a different color mat.
There would be an extra charge of $15.00 to change the mounting.
See the Mat Color Chart for color choices.
Paintings are backed with
foam board, shrink wrapped, and ready for framing. Original
paintings include a
Certificate of Authenticity
signed by the artist and include additional descriptions of subject matter when applicable.
(See below for a definition of Certificate of Authenticity)
Limited Edition Prints
Limited
Edition
Giclée Prints are printed on
100% cotton rag museum archival paper and the printing ink used is
Ultrachrome pigmented ink rated for a minimum of 75 year longevity for
your enjoyment in the years to come as well as your heirs. The prints are
personally signed and numbered by the artist
and include a Certificate of Authenticity. Artist's bio,
Artist's Statement and any further descriptions of
the subject matter are also included.
White
borders added to the size of the image measure ½", to allow room
for the title, pencil signature and print numbers in the white
margin. This border is meant to show when matted. Prints are
safely packed for shipping protection.
(Optional Mat is available, price depends on size.)
What is a Limited Edition Print?
The limited edition has important commercial
significance. Collectors need to be assured that the work they buy is
guaranteed by the exclusivity and originality which only a limited
edition can provide. Normally, the smaller the edition, (fewer printed),
the more valuable the print.
What do the Numbers Mean?
The system of numbering and documentation of fine-art
editions is designed to guarantee the authenticity and originality of
prints in the art market. Each print is signed by the artist (usually,
but not always) in the lower right-hand corner or margin. In the
opposite corner goes the edition numbering, two numbers divided by a
slanted stroke. The bottom number represents the total number of prints
in the edition; the top one the order in which the artist has signed
that particular print. For example: 1/500 means the artist signed
the first print of the 500 printed in the Edition.
What is a Giclée
Print?
Giclée (ghee-clay) is French for "to spray". In short
it is a process whereby the original artwork is rendered digitally. Artists at
the printer or atelier, work with the image on a high resolution computer
screen to get it completely accurate. Then the image is printed onto a substrate
of either canvas or paper, which "giclées"
the image onto the substrate. This newer technology is considered to be superior to the older lithograph technique.
What is a
Certificate of Authenticity?
The Certificate of Authenticity gives buyers of authentic fine-art
original works and limited-edition prints produced by an Artist the
opportunity to distinguish their work from posters or reproductions
which some dealers would like to pass off as "prints." By offering the
extensive information of the Certificate, Artists can not only guarantee
the authenticity of their work, but also educate their buyers as to just
exactly what they are spending their money on.
A proper Certificate of Authenticity is an additional value added to
a fine-art print insofar as it explains to the client in detail the
various factors which intervene in its production and edition. The more
details the Certificate includes, the more value it contributes to the
print.
By giving both the image size and the paper size, the client knows
not only the size of the frame he will need, but whether or not the
paper has been tampered with. The edition numbers are, of course,
essential.
The date of the signing are also essential. Long after the artist is
dead (and famous!) they will permit art historians to establish an
accurate chronology of his work.
Take Care of Your Art
All Mat materials and backing for framing should
always be Acid Free/pH neutral, museum quality, to prevent yellowing and
deterioration. Art Work should never be placed in direct
sunlight for long periods of time.
Custom Framing
Framing is available
upon request. Free Estimate is given upon discussion regarding
choices of frame treatments. Prices vary according to
products selected. Always feel free to discuss your framing
ideas with the artist.
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